小黄书视频

Research Projects

A student listening intently in a lecture hall.
Research Projects

Research is an integral part of the Social Justice Education community. A central aspect of each of our programs, Social Justice Education provides students with the tools necessary to contribute meaningfully to their area of study. With innovative research projects and accesss to innovative research centres, our students and Faculty engage in research in exciting and meaningful ways. 

For generations, Black youth 鈥 and in particular Black male youth 鈥 have experienced significant challenges in mainstream school systems. Researchers have documented the many difficulties, obstacles,and challenges that Black youth students must navigate when attempting to access education(McCready, 2012; Dumas & Nelson, 2016; Dei, 1996, James, 2012). Colonization and different forms of 鈥榩ush out鈥 (Dei, 1996) 鈥 in particular anti-Black racism 鈥 pervade the everyday lives of Black students.COVID-19 has exacerbated matters: the pandemic has the potential to derail the educational development of Black students (Price, 2020). Additionally, for the last two decades, most research has focused on female students. Samuel noted, 鈥淎s a college education becomes increasingly important in today鈥檚 economy, it鈥檚 girls, not boys, who are succeeding in school鈥 (2017, p. 1). Where are the boys? Scholars have been aware of the 鈥榖oy crisis鈥 鈥 in which boys are at a disadvantage and underperforming in schooling and education 鈥搒ince the 1990s (Sadowski, 2010; Hussain & Milliment, 2009; Orr, 2011; McCready, 2012; Dumas & Nelson, 2016; Dunne & Ananga, 2013). Considerable research has focused on gender and sex differences as contributing to this disparity in performance. Boys have been framed as emotionally disconnected, lacking interest and attention in education (Sadowski, 2010), and underperforming in 鈥榝eminized鈥 and gendered schooling (Clarke, 2005; Jha, Menon & Chatterjee, 2017; Vantieghem, Vermeersch & Van Houtte, 2014, Goldberg and Bruno, 1999; Telson, 2019; Chege & Sifuna, 2006). Some scholars have argued that economic opportunities and responsibilities have pushed boys out of schools (Kipusi, 2019, Muthaa, 2020), while others have focused more on the effects of militarism, violence, and incarceration (Makori, 2014).

Beyond the sensationalized, essentialized, and Western hegemonic focus on the 鈥榖oy crisis,鈥 little research has focused on the experiences of male youth and how their schooling and education experiences are affected by race, ethnicity, and class (Martin, 2008 as cited in McCready, 2012), as well as other factors including imperialism, diaspora/migration, displacement, and capitalism that involve diverse and multiple experiences of masculinities and needs in school-aged boys (Imms, 2000 as cited in McCready, 2007; Dumas & Nelson; Bristol, 2015). The disruptions caused by the COVID-19 pandemic will likely have inequitable effects on students as a result of factors such as social class 鈥 and these effects are likely to be long-lasting, in particular for Black boys (Burgess & Sievertsen, 2020).

The proposed study will explore the educational experiences and narratives of Black male youth (aged 21鈥35; hereafter Black boys) in schools in Africa, the Caribbean, North America, and the factors that affect disengagement/鈥檖ush out鈥 from education. It is crucial to understand and overcome these challenges, and these findings will inform global strategies to improve the schooling experiences of Black males. The overall goal of this research is to clarify how Black male youths experience schooling in Canada, Jamaica, and Kenya, and specifically the effects of colonization on their schooling. It will also explore the strategies used by Black boys to overcome the challenges facing them in schools and society, which may be leveraged on a larger scale to improve the experiences 鈥 and achievements 鈥 of Black boys in schools.

Over the past few years, we have seen renewed efforts to 鈥渄ecolonize.鈥 From the toppling of statues to the revision of disciplinary canons, much of the focus has been on overturning colonial residues in our cultural and epistemological landscapes. Theory from the Trenches offers a radically different vision of decolonization 鈥 one driven not by bureaucrats, professors or social media activists but by peasants, a vision that was at once global and local, dedicated equally to decolonizing the less visible structures of political economy as it was to fighting epistemic battles. 

The project focuses on the stories of landless peasants in Pakistan who, in the 1970s, joined the Mazdoor Kisan Party (MKP), the country鈥檚 historically largest communist party. While the MKP supported peasants in occupying colonially-established estates, it also enrolled them into a global communist movement that extended from Oakland to Saigon, a movement that believed revolutionary theorizing was essential to revolution. While some peasants retheorized Euro-centric Marxisms to incorporate Sufi Islam, others developed theories of communist belonging or comradeship inspired by tribal relations. I conceptualize these peasant experiments in theory-making as trench theory, with the trench metaphor flagging a mode of subterranean theorizing geared toward political combat. Ultimately, the project illustrates how peasants 鈥 a group derided even by Marx as provincial and practically-oriented 鈥 emerged as activists and theorists on a world scale.

Dr. Todorova鈥檚 current international research evaluates critical concepts and theories related to justice, redistribution, gender equity, decolonization, race, and violence against data collected in both former socialist and present capitalist states and economies. Her interest in such evaluations has shifted her focus on sexual and domestic violence from women victims to men perpetrators, as well as nonviolent masculinities. Todorova currently collects data on male motivational beliefs, educational preferences, and related emotions to support the construction of potent men-centered pedagogies that engage boys and men in gender justice and antiviolence education. Her recent research in this area is communicated in a new book entitled Postsocialism as a Method: Emotional Aspects and Interdisciplinary Applications, two forthcoming journal articles, as well as a broadcast in the spring of 2024

  1. Tackling Systemic Anti-Black Racism in Canada through the Means of Transmigration: The Experiences of the Second Generation Black Canadians. Funded by the Social Sciences and Humanities Research Council (SSHRC) Insight Grants. 2022-2025. (Principal Investigator)  
  2. Black Creole Francophone Identities in Louisiana, US. 2022-2025. Principal Investigator  
  3. Partnership for Research with African Newcomers (PRAN). 2021-2026. (Co-applicant)

Dr. Healey's current research projects include a new play entitled Rainbow on Mars. Inspired by Healey鈥檚 journey into blindness as a young adult, RoM follows a young woman as she ascends from a Plato鈥檚 Cave鈥搇ike space of ocularcentric half-slugs to a disorienting new horizon  of possibility. With the help of some unlikely allies, she must shed her desire to return to the Cave and develop her own relationship with blindness.

The project features a hybrid cast of blind, visually impaired and sighted theatre performers as well as The National Ballet鈥檚 company of apprentice dancers.  RoM is choreographed by Robert Binet, one of Canada鈥檚 premiere ballet choreographers, and co-directed by OtM鈥檚 Mitchell Cushman and award-winning visually impaired stage combat director Nate Bitton, with dramaturgy by accomplished writer and actor Vanessa Smythe

Rainbow on Mars simultaneously marks the premiere of Immersive Descriptive Audio (IDA). Created by Healey, this new accessible stagecraft practice is designed for blind and sighted audience members alike, embedding a deepened audio description experience and sound design within the narrative itself. From Healey:

鈥淚DA engages the stories of the eyes and shows how a blind perspective is an integral part of the human sensorium and of perception. It breaks with conventions of narrating onlywhat is there to be seen and weaves together the internal thoughts and felt movements of the performers; their breath; the imaginary of the lighting, set, costume and sound designers; as well as me, the blind artist. IDA is not merely a description of a performance; it is a performance!

The creation of IDA began with the development of RoM, including a work-in-progress presentation at 2021鈥檚 SummerWorks Festival. After additional development workshops with OtM and The National Ballet, in 2024 Healey and choreographer Binet took their exploration of IDA to The Royal Ballet in London, UK, applying their practice to the premiere of Binet鈥檚 Dark with Excessive Bright.

Rainbow on Mars has been developed with the support of The TD Ready Commitmentthrough OtM鈥檚 TD Forward March New Work Development Program, and by The Metcalf Foundation through its Staging Change program.

Tickets for Rainbow on Mars, along with full cast and crediting, will be available this Spring.

The Routledge International Handbook of Critical Disability Studies is the first comprehensive handbook to provide an multidisciplinary overview of critical disability studies. The handbook features 32 chapters from activists, writers, and scholars who challenge the essentialization of disability as mere anomaly. Thrilled to be included in the handbook are 小黄书视频 Professor Tanya Titchkosky and 小黄书视频 Alumna Dr. Elaine Cagulada who in their chapter tited, "Inclusion without Access: Policing encounters with deafness," explore and treat as stories visor identification cards designed to assist police officers and D/deaf and hard of hearing people communicate more effectively.

They reveal the taken-for-granted sense of problem and solution that visor card practices serve and protect by asking, how does the criminal justice system continue to produce inclusion without access, what version of police power does this sustain, and what version of Deafness and disability are sustained by the design and use of these visor cards? From a critical disability studies perspective, Cagulada and Titchkosky aim to reveal the version of Deafness and disability implicitly relied on and sustained by this cultural contradiction over time and across regions. Click here to read more.